Festival Eats: Opening night dinner at Cafe Mezzanotte

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The Friends of OperaDelaware cordially invite you to attend an "Opening Night Dinner" -- an opportunity to mingle and dine with other opera fans before our opening Festival performance on April 28. (Patrons are invited to attend the dinner at Cafe Mezzanotte even if your ticket/s are for another performance during the Opera Festival.)

Cafe Mezzanotte (1007 N. Orange St., Wilmington) is a 0.2 mile walk from the Grand Opera House. Ample Street Parking is available near the restaurant.

Evening will include:

5-5:45 PM - Cash Bar, conversation and antipasto
5:45 PM to 7:15 PM - Sit-down dinner

Menu:

Antipasto and Cash Bar Arugula Salad Choice of one of the following:
Chicken Caprese, roasted potatoes and green beans
Salmon with cherry tomatoes, roasted potatoes and green beans
Cheese Ravioli in Marinara Sauce
Rigatoni Bolognese
Gluten Free Pasta Option, a la Sergio
Dessert Tray
Coffee, Tea and Soft Drinks included

COST OF DINNER: $66 per person (includes gratuity)

To sign up to attend, please REGISTER HERE. Instructions for payment are on the invite.

MORE: For more pre- or post-show dining options, see our Wilmington Dining Guide.

 

Meet Bouso's Ghost composer, Michael Ching

You may know Gianni Schicchi, Puccini’s beloved comedy about a greedy family fighting over wealthy Uncle Buoso's estate only to be outwitted by the cunning Gianni Schicchi. But what happens next? Buoso's Ghost, composer Michael Ching's delightful Schicchi sequel, continues the fun by following the Donati family as they seek revenge on Schicchi. We are thrilled to welcome Michael to Delaware to conduct our production of Gianni Schicchi/Buoso's Ghost for the 2018 Festival! Watch this short video to meet Michael and learn more about this must-see comic pairing.

 

Meet Chrystal E. Williams, our Charlotte in Werther

Chrystal on how she became an opera singer, and about singing the role of Charlotte in Werther for the first time.

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THE BEGINNING: I always sang, but never thought, "I am going to be a singer one day!" I have always wanted to help others, but it wasn't until I started at The Governor's School for the Arts (GSA) in Virginia that I settled on how. I originally wanted to teach English / Language to grade school children because I felt, and still feel, that teachers have great influence on our world’s citizens. My next choice was a psychologist/middle school guidance counselor, for similar reasons. Then came biologist my sophomore year of high school - I figured I could help mankind by finding cures for unknown ailments! Mind you, I had still been singing all the while. GSA took a trip to New York City and I remember being glued to the floor listening to Leontyne Price sing on one of the monitors in Tower Records. I asked the head of the program how I could help people and still sing. He said I could help them THROUGH the music. This is what I've been trying to do ever since. One way I have found to help is through the Chrystal E. Williams Scholarship I founded in 2004 to help students wishing to pursue a career in the performing arts. This scholarship is funded in part by my annual concert, "An Evening with Chrystal E.”

DREAMS DO COME TRUE: I fell in love with Werther years ago. It all started with a man named Massenet. His music stole my heart and wouldn't let it go. He is, after all, the Puccini for mezzo-soprani. Ha! But, truthfully, his music itself has a soul. It is full of profound harmonies and intriguing rhythmic patterns that create intensely mesmerizing drama. It reaches me deep within and makes me want to pour out something I didn't realize I had. Music is a gift, and I believe we are called to share it. Massenet shared his gift in such a way, that I wasn't even aware I was receiving it. His music permeates the mind, body, and soul. It fills you with the lives of the characters, reminding you of your own experiences. No, not the same scenario, but you all the same. I sang the role of Charlotte in parts of Act III while in graduate school, and have been itching to complete the role ever since. Ahhhhh, excited doesn't even begin to express my state of being!

PREPARING A DREAM ROLE: Is probably the hardest type to prepare. Ha! The expectations are enormous, and those are just coming from myself! I've heard Charlotte in my head for years just as I believe the role 'should be.’ Preparing it is like trying to compete with a legendary recording. We are our own worst critics, and never has the saying been more true. But, the joy and elation of bringing this character I've only dreamed about for so many years to life is a good balance, as I have learned that those legendary recordings were made by artists committing to doing what they could on that day, and not dwelling on what they should be able to do or would be able to do later. The role of Charlotte is hard in its own right: stamina, endurance, tessitura, legato, heightened drama not hindering the throat, complex character, pure language, you name it. But when it comes to performance, great artists give what they have and don't apologize for what they don't. Mind you, they have A LOT already, but that virtue says something to me. They communicate. They share. They give. Besides, challenge brings about growth, and I love growing my art! I pray I do justice to Massenet's music. I pray I do justice to the gift that is music! Let's go, Team Werther 2017!

Special thanks to our friends at Baltimore Concert Opera!

Werther in Concert at OperaDelaware Studios (4 S. Poplar St., Wilmington, DE)
Saturday, Nov. 18 at 7:30 pm and Sunday, Nov. 19 at 2 pm
Tickets start at $29; Box Office: 302-442-7807; operaDE.org/tickets